Creating Compelling Characters

I'm participating in the Great Blogging Experiment writing about creating compelling characters.

When it comes to making a character compelling I think the most important part is to have the character's stakes in their conflict be clear to the reader. A major character can be likable or not, but either way there needs to be a clear understanding of what the character has vested into the story's conflict and what they stand to loose. This applies to the protagonist and the antagonist. 

The character's stakes don't have to be life and death. What they can risk loosing through various choices is related to their main conflict. This does relate back to character driving plot. What a character doesn't have and is trying to attain becomes the conflict for the story. From this conflict comes the plot. Without compelling characters plot can fall flat. 

Another part of a character's stakes are the choices they make through the story. When writing these choices it helps to understand what the benefits and costs of each option are for the character. What will happen to the protagonist if she decides not to challenge what a former friend is saying about her? What about if she says something to this person? Or about this person?

In real life we all face choices and risk loosing or gaining things. As a reader seeing this in characters makes them more interesting and almost real in a way. Plus to feeling that risk that a character faces helps keep an interest in the story. We read on to find out what choices the character makes to work out their conflict and how it is all resolved. Does the character loose what's important to them? Do they solve what they need to?

Character Visualization: Their space

I use Excel for various writing organizational tasks and I also like to play around with the different options/tools. While playing with the insert-shapes I  discovered a frame shape. After putting frames around random pictures I thought this might be a good exercise to visualize what a character's space could look like. It's another dimension for getting to know characters better.

In addition to figuring out what your character might have in their space it is also fun to figure out where various things came from. It's almost like brainstorming in a way to tease out more details about a character and their relationships.

For example, with this bird picture maybe it belongs to a young woman and she has hung on her living room wall. Well most of the time. Maybe she really dislikes birds but the framed picture was a gift from her boyfriend the budding nature photographer so she doesn't want to hurt his feelings. She keeps it in a drawer most of the time then makes sure it's displayed when he's coming over. And maybe he notices the little amount of dust on it compared to her other nick-knacks. He could wonder if she's hiding it, or he could think that she's taking extra special care of it because it's from him.

The bird picture is one I took this spring, the texture on the frame is a default pattern in Excel, and the purple around the picture is supposed to be wall color. The frame shape isn't curved by default, I transformed it to a free-form shape then edited the points. I'm thinking of putting together a little walk through post on some of the Excel options I used here.